Tuesday, June 9, 2026

The Old Woman Weaves the World


 

.... Inside the cave, there lives an old woman who remains unaffected by the rush of time and the confusion and strife of daily life. She attends to other things; she has a longer sense of time and a deep capacity for vision. She spends most of her time weaving in the cave where light and shadows play. She wants to fashion the most beautiful garment in the whole world. She has been at this weaving project for a long time and has reached the point of making a fringe for the edge of her exquisitely designed cloak. She wants that fringe to be special; wants it to be meaningful as well as elegant, so she weaves it with porcupine quills. She likes the idea of using something that could poke you as an element of beauty; she likes turning things around and seeing life from odd angles. In order to use the porcupine quills, she must flatten each one with her teeth. After years of biting hard on the quills, her teeth have become worn down to nubs that barely rise above her gums. Still, the old woman keeps biting down and she keeps weaving on.

The only time she interrupts her weaving work is when she goes to stir the soup that simmers in a great cauldron at the back of the cave. The old cauldron hangs over a fire that began a long time ago. The old woman cannot recall anything older than that fire; it just might be the oldest thing there is in this world. Occasionally, she does recall that she must stir the soup that simmers over those flames. For that simmering stew contains all the seeds and roots that become the grains and plants and herbs that sprout up all over the surface of the earth. If the old woman fails to stir the ancient stew once in a while, the fire will scorch the ingredients and there is no telling what troubles might result from that.

So the old woman divides her efforts between weaving the exquisite cloak and stirring the elemental soup. In a sense, she is responsible for weaving things together as well as for stirring everything up. She senses when the time has come to let the weaving go and stir things up again. Then, she leaves the weaving on the floor of the cave and turns to the task of stirring the soup. Because she is old and tired from her labors and because of the relentless passage of time, she moves slowly and it takes a while for her to amble over to the cauldron.

As the old woman shuffles across the floor and makes her way to the back of the ancient cave, a black dog watches her every move. The dog was there all along. Seemingly asleep, it awakens as soon as the old weaver turns her attention from one task to the other. As she begins stirring the soup in order to sustain the seeds, the black dog moves to where the weaving lies on the floor of the cave. The dog picks up a loose thread with its teeth and begins pulling on it. As the black dog pulls on the loose thread, the beautiful garment begins to unravel. Since each thread has been woven to another, pulling upon one begins to undo them all. As the great stew is being stirred up, the elegant garment comes apart and becomes a chaotic mess on the floor.

When the old woman returns to take up her handiwork again, she finds nothing but chaos where there had been a garment of great elegance and beauty. The cloak she has woven with great care has been pulled apart, the fringe all undone; the effort of creation has been turned to naught. The old woman sits and looks silently upon the remnants of her once-beautiful design.

She ignores the presence of the black dog as she stares intently at the tangle of undone threads and distorted patterns.

After a while, she bends down, picks up a loose thread, and begins to weave the whole thing again. As she pulls thread after thread from the chaotic mess, she begins again to imagine the most beautiful garment in the whole world. As she weaves, new visions and elegant designs appear before her and her old hands begin to knowingly give them vibrant shape. Soon she has forgotten the cloak she was weaving before as she concentrates on capturing the new design and weaving it into the most beautiful garment ever seen in the world.

This is the generative task of all women. The task is to care and protect seven generations forward and honor seven generations back (as the Iroquois say). It is a wise teaching and one forgotten in the Western world today that honors only the good of the individual and the present moment. Women have been enculturated to believe they can no longer make a difference, but the wise crone knows better. She calls to all of her children to bring forth a brighter future even if it can't be envisioned today. All we need to do is to pick up that single thread to begin.


A story by Michael Meade, from “Why the World Doesn’t End.” 





Sunday, April 19, 2026

She’s finding the gift inside her gift.



She’s arriving at the place which had been concealed, waiting to be found. There was something she had to do first, to find it. She had to spend her gift ~ give it generously, abundantly, with all her heart. Offering it was an act of daring, but her gift would have it no other way. She nourished her gift, and it nourished her back. The goodness of it imbued her and her world. Her life and her gift joyously flowed through her. As she dived deeper, her gift shone in its luminosity, fragrance, music and poetic quality.
Her gift guided her to take many pauses, to realign and recalibrate her life. As she became more and more intimate with her gift, it is impossible to tell them apart. She is the gift fully matured. And one cycle of her rich life is ending.
She’s slowing down to listen deeply to what this ending means. Her gift is whispering: ‘here’s a reward for honouring me so deeply. In my centre is your new gift. Let it arrive into your heart now.’
She’s currently in the pause, very still, allowing the gift within the gift to arrive. She’s sensing its very different flavour and fragrance. It feels new, fresh, and different. Even though the temptation to continue her rich old life tugs at her sometimes, she’s allowing her old life to slip away through her fingers.

- Sukvinder Sircar

Sunday, January 25, 2026

Grandfather Elder Manataka



I don’t speak of sorrow like it’s a weakness.
I don’t lower my voice for it.
Sorrow is not something that happens to us -
it’s something that walks with us
once we’ve loved deeply enough.
Some people think sorrow means you are broken.
But our old people knew better.
They knew sorrow is the proof
that your heart stayed open
when it would have been easier to close it.
Sorrow is love with nowhere to go.
It’s memory looking for a body.
It’s the echo of laughter
still moving through the room
after everyone has gone.
In our way,
we don’t rush sorrow out the door.
We make it a place by the fire.
We feed it.
We listen.
Because sorrow carries teachings
you can’t learn any other way.
It teaches you how thin the veil really is.
How close the ancestors stand.
How fragile - and how powerful - this life is.
Sorrow slows your steps
so you don’t forget who you’re walking for.
It reminds you that every breath is borrowed.
That every name you speak
is still alive somewhere.
And yes -
sorrow is heavy.
But it’s not meant to crush you.
It’s meant to shape you.
Like river stones shaped by time,
not force.
We don’t ask sorrow to leave.
We ask it what it came to teach.
And when the lesson settles,
when the tears finally rest,
we don’t erase the sorrow.
We carry it forward -
carefully, respectfully -
as part of the bundle.
Because to live without sorrow
would mean to live without love.
And that…
was never our way.
Ekosi.
And so it continues.
*
from: 'Standing Bear Network'
* Portrait of Grandfather Elder Manataka American Indian Council